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Writings

Academic writings by Florian Hollerweger, both published and non-published. Ironically the 'non-published' ones are quite public by being hosted on this site.

The Revolution is Hear! Sound Art, the Everyday and Aural Awareness
PhD thesis by Florian Hollerweger at the Sonic Arts Research Centre, Queen's University Belfast. Supervised by Dr. Pedro Rebelo and Prof. Michael Alcorn.
A Typology for Listening in Place
Paper written with Pedro Rebelo and Matt Green at the Sonic Arts Research Centre (SARC), Queen's University Belfast. Presented at the 2008 Mobile Music Workshop in Vienna.
Three Strategies for the Design of Social Listening Experiences
Paper presented at the 2008 Spring Conference of the Institute of Acoustics, University of Reading, UK.
Ohrenli(e)der. Compositions for Listener
Paper presented at the 2008 Spring Conference of the Institute of Acoustics, University of Reading, UK.
3LD - Library for Loudspeaker Layout Design
A Matlab library for rendering and evaluating periphonic loudspeaker layouts. IEM-Report 32/06, Institute of Electronic Music and Acoustics, Graz University of Music and Dramatic Arts, 2006.
An Introduction to Higher-Order Ambisonic
A tutorial discussing the basics of Higher Order Ambisonic. Aimed at people without prior knowledge but also without fear of math.
Die musikalische Anwendung generativer Grammatiken
A 2004 paper (in German) about musical applications of generative grammars.
Periphonic Sound Spatialization in Multi-User Virtual Environments
Master's thesis written at the Institute of Electronic Music and Acoustics (IEM), Graz University of Music and Dramatic Arts, and at the Center for Research in Electronic Art Technology (CREATE), University of California Santa Barbara. Supervised by Robert Hoeldrich, Alois Sontacchi, an Steven Travis Pope.
Document Actions
Florian Hollerweger. Cite/attribute Resource. admin. (2008, July 03). Writings. Retrieved June 22, 2017, from Florian Hollerweger Web site: http://flo.mur.at/writings. All Rights Reserved.